Hello! I’m an editor and poet specialising in digital platforms and online writing experiments, living on Dharug and Gadigal Country (Sydney, Australia).
Find me @BlannahJenkins on most platforms, say hi on Are.na, or email me 😎
Projects
CRAWLSPACE
Co-Founder
RUNNING DOG (sleeping!)
Assistant Editor and Poetry Editor
Works
SPECTROSCOPE
Animated poetry
Cordite
YOUR MACHINE IS A CLOUD CHAMBER / COSMIC RAY SEANCE
Animated poetry
Taper #13
FOREST VOID
Interactive poetry
The HTML Review
ISLAND LAYER
Generative poetry
The Suburban Review
ENDERMAN’S LAMENT
Interactive poetry
Cordite
ORRERY
With Emmalyn Hawthorne
KINGS Artist-Run
TRACE GARDEN
With Rory Green
Cementa
THE HORIZON
Animated poetry
Taper #5
Other cool things :)
Arts writing & criticism
a glacier leaves a deep cut, exhibition text, Verge Gallery (2025)
As Below so Above, exhibition text for Ellen Dahl, Dominik Mersch Gallery (2022)
From the other side of the horizon, essay, Running Dog (2020)
An Itinerary for the Edge, exhibition text for Ellen Dahl, Peacock Gallery (2020)
A Tale of Curses, Tyranny and Sorrow, experimental interactive arts writing for Nicholas Aloisio-Shearer, Outer Space, Brisbane (2020)
Transmission, review of Ry David Bradley exhibition at Sullivan+Strumpf, Running Dog (2020)
After Technology, speculative review of the UTS Gallery group exhibition, Running Dog (2019)
Fragile Fantasy, review of Nicholas Aloisio-Shearer exhibition at UNSW Galleries, Running Dog (2019)
Soft Monument, review of Linka Sok exhibition at Firstdraft, Running Dog (2019)
Luminous capture, review of Yvette Hamilton exhibition at Wellington St Projects, Running Dog (2019)
Cloud Chamber, review of Andrew Yip exhibition at Jerico Contemporary, Running Dog (2019)
Other editorial and arts projects
Artist, On Water and Time / a glacier leaves a deep cut, with Ellen Dahl, Verge Gallery (2025)
Writer and narrative designer, The Garden of Unearthly Delights by Andrew Yip, exhibited at SIGGRAPH ASIA (2023)
Curator and producer, Soft Power, online exhibition for Firstdraft (2021)
Coordinator and participant, No Show, Carriageworks (2021)
Board Member & Treasurer, Firstdraft (2020-2022)
Co-editor with Naomi Riddle, Running Dog special issues (2020)
Editor, E/merge: Collectivity, Emerging Writers’ Festival (2020)
Researcher assistant, Metascape: Villers Bretonneux by Andrew Yip, exhibited at SIGGRAPH ASIA (2019)
Board member and curator, Kudos Gallery, UNSW (2018)
Awards and recognition
Highly Commended, Red Room Poetry Fellowship (2025)
Judge, Tiny Awards (2025)
Published, Best of Australian Poetry with Forest Void (2024)
Published, Best of Australian Poetry with Island Layer (2023)
Shortlisted, Woollahra Digital Literary Award for Island Layer (2023)
Shortlisted, Woollahra Digital Literary Award for Enderman’s Lament (2022)
Shortlisted, Woollahra Digital Literary Award for The Horizon (2021)
Winner, QRAA Ekphrasis Poetry Challenge (2020)
Press
Gardens at the edge of the internet: Online ARIs keeping the handmade web alive, Sophie Penkethman-Young, Artlink, Hyphen issue 44:3 (2024)
Digital poesis impulse: A methodology of creative coding with GPT as co-pilot, Jenny Hedley, TEXT Journal, vol. 28, issue 1 (2024)
The Online Publications Bridging Poetry and Code, Meg Miller, Frieze (2023)
Metascape, memory and spacetime: The museum in VR, Andrew Yip, Artlink, Virtual Reality: Ways of Seeing issue 38:4 (2018)
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